Japanese Scent
Melody in wood I still remember my first trip to Kyoto. It was in July. One day, while some scattered rains washed the trees and refreshed the airs with a soft wind, I entered the walls of Nanzenji, one of Kyoto’s famous temples. The great gate and its darkened wood pillars exhaled a perfume close to incense and moss. A top note, sparkling and emotional, came from nose to eyelashes like tears of joy. Then an earthy wave, the middle note, fresh and light like a breeze among the oaks. And finally, for the base note, a deep blow of sliced wood, low and rich, rough on the palate and caressing on the nose. I never forgot that perfume of Nanzenji. To me, it is typical of central Japan. I think I mentioned it a lot before. I had to, eventually, give it a proper homage. The missing history of perfumes Tanizaki said that Japanese aesthetic plays on shadows to suggest things rather than to show them. I never read anything about the smells of Japan. Yet, more so than shadows,